|<< <||> >>|
|« Toshiaki Hontani 本谷利明||Kotabe & Shinei »|
It's time to jump off the wagon of Kemonozume abstention. Several weeks have passed and Michio Mihara's episode just aired, so I need to do some serious catching up. I actually watched Osamu Kobayashi's episode a few weeks back, but honestly wasn't quite sure how to write about it, so I kind of let it drag. Re-watching it today mainly confirms most of the feelings I had about it when I first watched it. First of all, I commend Kobayashi on a great job. He directed and animated the entire ep singe-handedly, and it's no small task to do that. It's always a treat to see Kobayashi's work, and it was a treat here too. I can't think of many commercial TV projects where someone with a style as un-commercial as Kobayashi's - and as seemingly unsuited to the series in question - would be given free reign for an entire episode, totally uncorrected. It would have been cowardly and redundant to call in Kobayashi and then correct him, so it's good that they saw this through the right way. We'll be seeing a very different kind of one-man-show in the just-aired episode 12 with Mihara, who unless I'm mistaken just before this would have handled the much-talked-about climactic sequence of Satoshi Kon's latest film. Kobayashi and Mihara are about as different a couple of animators as you could find, and I love that about the show - that it embraces a diverse range of possible interpretations. What unites them them is a sense of adventure and bravado as animators. Whoever it is who works on the show, we see their work in the raw. We see the real face of a certain animator. It feels like this placing of animators who have a passion for their work over stylistic unity redresses a fundamental imbalance in the conventional approach to TV animation.
As for Kobayashi's work, it's basically what one would expect. Kobayashi strikes me as tremendously great when working as a series director, and when working at the opposite end of the scale, on wild fantasy shorts of his own creation, but he doesn't seem very well suited to working within the system as a cog in a machine. Needless to say, I mean that as a compliment. But in a sense, that is what he is having to do here, even though Kemonozume provides him with absolute freedom. It's just that, while watching the episode, I wasn't sure that it really worked. I had my doubts as to whether his style was really suited to this show, which is ironic since this show has embraced such a wide range of styles so far. Here they went even further than they've gone before by having Kobayashi do the ep, as if to see just how far they could push this concept, and in the end perhaps that's what makes the episode interesting. In a sense there is some similarity to what we see in Ito's episodes - Kobayashi's drawings also have that rough touch. His drawings feel alive and honest. In that sense they're similar, and Kobayashi's work fits within the spirit of the show. But in the end Kobayashi is not a mover like Ito. Ito creates beauty through drawings in motion. Kobayashi works on a different level. Kobayashi seems in his element when creating a fantastic world full of zany ideas of his own creation, not when having to move someone else's characters. Actually, I found that I really liked the way little bits of his animation were injected subversively into the fabric of Nobuteru Yuuki's sleek drawings in the first episode of Paradise Kiss. His style seemed well suited to use in a subversive capacity like that.
As for the episode itself, it was probably the most sexual episode so far. Each episode has usually had its share of erotic happenings, but here the whole pivot of the episode was the issue of Toshihiko's ability (or inability, as it were) to get off with his gal. It's an interesting situation: They're uncontrollably attracted to each other, yet sexual arousal triggers transformation, preventing sexual consummation - one hell of a vicious circle. The catfight was fun, and there were a few shocking revelations that kept things quite interesting. The main thing I came away with from this episode was just how adult this series is - 'adult' in the sense that it delivers ero without moe. It's only on watching this episode that it occurred to me how rare a thing it is to see sex portrayed in an honest fashion like this and not played up for titillation or as fan service.