|<< <||> >>|
|« Kooky||Masaki Okuda »|
The only animation program at this year's VIFF was a program called Animation Nation. It featured shorts mostly from the US and Europe. It's disappointing that the VIFF hasn't continued their 'alternative anime' series. That should be a staple at the festival. Animation doesn't seem high enough on their priorities. And Animation Nation was - without exaggeration - the worst collection of animated shorts I've ever seen.
The whole affair was a failure in my opinion, even though I know from the roars of laughter in the hall and the hearty applause that most of the other theatergoers disagree with me. The selection was IMO uninteresting, lopsided (without any Asian or other films from outside the big western nations), and the unprofessional presentation was not befitting a major world festival. There was a one minute gap between each short, and boxes kept popping up on the screen throughout the show as they tinkered ceaselessly with the brightness and zoom. This all should have been handled before the screening. It was like watching a few videos at a friend's house, not a screening.
The selection felt like it was put together by someone who didn't really understand animation. The contrast with the Ottawa 'best of' selections is instructive. There, each film seemed to represent some different aspect of animation, some different approach. Each was different and valid in its own way. Many different narrative styles and techniques were represented. Films weren't selected based on superficial criteria or the extent to which they were crowd pleasing.
The most telling thing about this selection is that many of the films barely had any animation at all. They were mostly live action, with a few spare touches added in post pro. It would be fine to have one film like this in a selection, but half of the running time devoted to this kind of film? A quarter of the remaining half was uninspired CGI. One of the films, Brick Novax's Diary, wasn't animation at all; it was puppets and sets filmed without virtually any movement. It was clearly chosen solely for its MTV style sarcastically retro, pop-reference humor. And it went on for 16 minutes. It would have been fine viewed on its own, but it felt out of place.
What's left is about 20 or so minutes of decent work in a 95 minute screening. Bike Race by Tom Schroeder was more than decent. You can watch it online, and I heartily recommend doing so. It's a fine short well-deserving of being seen by more people. It's a sort of documentary animation, the visuals expounding on an audio track of two men and a woman narrating a recollection of their experiences with a bike race and the romance that budded unexpectedly. Though it looks rudimentary in style, the animation is rich and creative and very witty and meaningful in how it responds to and interprets the narration. It's essentially the only item in the whole selection that was a good animated short.
The music video Lose This Child (which obviously you can also watch online) was a very good animated music video, and it's perfectly fine to include a music video in such a selection, a good idea even, but it's not a difficult task to include a good animated music video; many are made each year. It's just weird that there was only one really good narrative animated short in the whole selection. Lose This Child is impressive technically, because supposedly it was all shot over the span of one night. It's so lushly animated and sophisticated in structure that it's almost hard to believe. I guess they must have meticulously planned out everything to the smallest detail beforehand.
The Man With the Stolen Heart was a decent film, but it was marred by a too-wordy voice-over. It would have been twice as strong without any words. It's the only other item in the selection that came close to being a good animated short. Advanced Cybernetics was the only abstract short in the selection, which underlines the populist bent of the selection. It was visually arresting, but it felt too short.
The festival will be showing two feature-length animated features. I missed seeing Tatsumi, the panel-by-panel adaptation of Yoshihiro Tatsumi's Floating Life, partly because I wasn't sure it was worth seeing. I feel like I should give it a chance. I'll be seeing the Czech film Kooky tomorrow and look forward to it.
I was fooled by the catalog description into believing the film The Green Wave was an animated feature film in the style of Waltz with Bashir, but was disappointed when it turned out to be a 'mere' documentary with the occasional sequences of recollection rendered in drawings (not animation). That said, it was a good, heartbreaking documentary about the recent Iranian uprising that was mercilessly crushed by the regime.
Annoyingly, there are actually a few Asian animated shorts being screened at the festival, but they're scattered around everywhere, being shown before a live-action feature here and there, rather than together as one unit. There is even a new animation battle by Nobuhiro Aihara and Tanaami Keiichi, which I really want to see. They even have Koji Yamamura's new short Muybridge's Strings, and yet instead of having that as the highlight of an animated short collection, as it deserves, they've lumped it together with a bunch of random live-action Canadian short films. This is inept and disappointing. The small theater was pretty near full at the Animation Nation screening, so I know there's enough of a geek and/or animator community in Vancouver to have supported at least one collection of Asian shorts.
I’ve seen Tatsumi a month ago at the Fantoche Festival in Switzerland and also wasn’t expecting much from it at first. But I was pleasantly surprised and really enjoyed the film.
There are a few issues that could make it hard to get into the movie if you don’t know anything about Manga history and it was a bit difficult to tell apart the biographical frame from the short stories embedded in the film, to the point where a friend thought one of the short stories actually was an episode of Tatsumi’s life.
But I really enjoyed the style and animation of the movie, opposed to what I suspected after seeing the trailer. It felt very refreshing to see Tatsumi’s old fashioned drawing style come to life and together with the score the movie had lots of great moments.
I did like the short stories best and the biographical part pales compared to them, mostly because the drama in the short stories make Tatsumi’s life seem coincidental. Maybe that’s Japanese humility, with Tatsumi telling his life mostly as if everything just happened instead of trying to construct a dramatized narrative out of it.
Thanks, this is good to know. I was on the fence about it, but now I know I should give it a chance. I personally love the old manga from this era (Shigeru Mizuki, Yoshiharu Tsuge) so I’d enjoy seeing animation that brings alive that style. Hopefully I’ll get another chance to see it sometime.