Initially daily but now sporadic blog about anime and world animation with a specific focus on the artists behind the work. Written by Ben Ettinger.
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Archives for: February 2014, 23

Sunday, February 23, 2014

04:47:00 pm , 1081 words, 11554 views     Categories: TV, Space Dandy

Space Dandy #8

Dandy & co land on a machine planet where they find a lone dog that may or not be Laika, which gives them some unexpected stowaways when they finally leave...

The series is hitting its stride around this point, as every episode is now totally solid, with almost no room for complaint, even though each episode is quite different from the previous. Each ep is headed by a very talented creator, and the template of this series allows them to shine in a way that I haven't seen many of them shine in quite a while.

Hiroshi Shimizu puts on an impressive show as storyboarder/director/sakkan of this episode written by Cowboy Bebop/Tokyo Godfathers screenwriter Keiko Nobumoto. Both are very talented in their own right, and working together they create a fun little episode.

Hiroshi Shimizu is an underrated animator, and this episode illustrates that well. This episode had the most lively character animation of any episode thus far, although the Telecom-ish episode 2 had a lot of lively character animation. Mihara's episode 6 was more quirky and interesting than necessarily conventionally lively and entertaining the way this one was. Other episodes have had sparks of life at various moments, but this episode was full of vivid, entertaining, cartoonish character animation from start to finish.

The drawings and animation style are quite different from the usual, but the style is never jarring or unpleasant. Every episode so far has given its unique twist to the characters, like in the good old days of anime, when part of the fun of watching a show was looking out for each sakkan's style. I prefer this approach to the 'chief animation director' approach that irons out inconsistencies. The style of the movement in this episode, with the characters running around the entire frame in long shots, reminded me of classic Oh Pro/Telecom style Lupin, particularly episode 49 of pink jacket Lupin by Oh Pro, which featured Hiroshi Shimizu himself in an early gig. The last scene of this episode, with a crazed QT chasing Dandy and Meow, was the highlight in this regard.

I'd say this is my favorite episode so far, mostly because the characters are more expressive and lively than they have been, which makes them seem to have more personality than usual. I love Dandy's expressions in this episode. Even Meow and QT seem to have more personality, bounding about happily when they arrive on the surface. The story is also a little more down to earth and straightforward, without the over-the-top randomness of the other episodes. I like both approaches, but this episode was a refreshing change. The series can sometimes seem to try a little too hard for effect, and this one has a nice balance in that sense. Rather than flat-out parody like the zombie episode, or the sharp and clever storytelling of episode 2, it's a simple story with subtle charm. The plotline about the famous Laika was compelling and poignant in an understated and not overtly tearjerking kind of way. And the episode has an interesting dual structure, about the dog in the first half, and evolving out of that into something completely different in the second half.

As unique as the style is in this episode, I think Hiroshi Shimizu is not as well known as he should be because he usually doesn't have a particularly idiosyncratic style, unlike some animators whose work looks the same from project to project. All I know is that whenever he's involved, you can expect some seriously solid quality and lively animation. His versatility and professionalism as an animator has ironically meant that he doesn't get as much attention as people limited to one style. But obviously people in the industry know how good he is, because he's been in demand in a huge variety of productions for decades now, including A Tree of Palme, Cat Soup, FLCL, Jin-Roh, Millennium Actress, A Letter To Momo, Colorful, and Sword of the Stranger.

Hiroshi Shimizu started out at Oh Pro in the 1980s, and I've noted his presence in the various Oh Pro productions that I've written about such as pink jacket Lupin III (1985) and Devilman (1990). He became a regular in Ghibli movies as well as Shin-chan movies, which is presumably where he encountered Masaaki Yuasa, as he soon also became a regular in Yuasa productions, storyboarding, directing and sakkan'ing episode 11 of Kemonozume (2006) and sakkan'ing episode 8 of Tatami Galaxy (2010).

Around that time, he headed the character side of Sayo Yamamoto's TV series directing debut Michiko & Hacchin (2008), as well as working on her next production Lupin III: Mine Fujiko (2012) as sakkan of episode 4. He had also worked on Samurai Champloo, so there is a lot of connection with the staff of Space Dandy that make his involvement a no-brainer.

Since around the time of the Wakfu bonus episode headed by Choi Eunyoung at the Japanese branch of French studio Anakama, Shimizu has been working with French animators, and most recently he has been involved with a new French studio called Yapiko Animation (web site, twitter) headed by French animators but also involving some Japanese talent. Two French animators from the studio are involved in this episode - Eddie Mehong and Cédric Herole - making this something of a preview of what's to come from Yapiko Animation, which has several projects in development.

The episode is staffed by an interesting array of animators who are talented in a less flamboyant way than the animators who tend to get attention from fans. Tadashi Hiramatsu needs no introduction. He is great at lively acting as well as exciting action. Though he has been associated mostly with Gainax for a while now, he actually started out at Nakamura Pro (viz Dragon Slayer) and so his style isn't entirely defined by the Gainax Style, which I like as it gives him more versatility to work on various projects like this and not stick out. Kanako Maru I don't know much about except that the solo episode she did in episode 18 of Casshern Sins was excellent. Toru Yoshida is the great Anime R animator who debuted with a bang in Votoms and has since gone on to be impressively prolific. He is not limited to mecha/effects and even does character animation, but I'm guessing did the launch of the Sputnik lookalike, which was interesting for its wobbly trajectory befitting a DIY junk rocket. Others include Kei Hyodo and Yuichi Nakazawa. Yuichi Nakazawa is part of the post-Toru Yoshida generation of animators at Anime R.