Initially daily but now sporadic blog about anime and world animation with a specific focus on the artists behind the work. Written by Ben Ettinger.
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Archives for: September 2013, 08

Sunday, September 8, 2013

10:39:00 pm , 726 words, 4549 views     Categories: Animation, OVA, Animator: Yoshinori Kanada

Ippatsu Hicchuu!! Devander

Tatsunoko released a TV-episode-length one-shot OVA called Ippatsu Hicchuu!! Devander at the end of last year to mark their 50th anniversary. It was headlined by two figures who have been mainstays of Tatsunoko since their founding: Director Hiroshi Sasagawa and mecha designer Kunio Okawara.

It's a gag sci-fi mecha action show for kids in the spirit of their Time Bokan series. It exhibits the same outlandish concept and over-the-top, tasteless design sensibility as those shows, with the horse mecha and silly hero suit complete with spurs, and the whole concept of the hero having to pedal the mechanical horse to get a new lotto ball out that turns into a robot to fight the enemy mecha.

It references their past work and features brief cameos by a number of well-known Tatsunoko characters like Hakushon Daimao and Kerokko Demetan - and even the studio's own mascot, the sea horse or baby dragon. It would be an uninteresting, self-serving trifle of an advertisement for the studio it weren't for the quality of the production.

Jun Arai acted as the mecha sakkan, and he turned the show into an all-out bash of Kanada-school mecha action and effects. Most of the smoke and other assorted effects scream his hand, while an array of well-known Kanada-school animators or otherwise talented mecha animators fill out the mecha animation and make it interesting at every moment.

山下将仁
Masahito Yamashita
橋本敬史
Takashi Hashimoto
大張正己
Masami Obari
城前龍治
Ryuji Shiromae
鈴木勤
Tsutomu Suzuki
柿田英樹
Hideki Kakita
三日月顯太朗
Kentaro Mikazuki
山本裕介
Yusuke Yamamoto
工原しげき
Shigeki Kuhara
新井淳
Jun Arai
松尾慎
Shin Matsuo

Most of these names need no introduction. They've been mainstays of mecha shows for decades. Amazing to see Masahito Yamashita still working on the front lines in a show like this more than 30 years since he drew his most famous bits that made him a legend as the #1 Kanada-school animator in the early 80s. I thought I saw a scene with the 'Yamashita run' and wondered who could be imitating him. It was most likely the man himself.

The more realistic explosions near the end were presumably courtesy of Takashi Hashimoto and Hideki Kakita, who actually aren't very Kanada school at all. The only one that seems out of place is Yusuke Yamamoto, since he's a director. The other mystery is Kentaro Mikazuki - obviously a pen name.

Shin Matsuo was the line director as well as co-storyboarder. I remember him primarily for KO Century Beast, one of the shows that got me into anime back in the day, with its zany, cartoonish sensibility and hyper-deformed designs. His work isn't always identifiable to me, but when he shifts gears into Kanada mode, it's quite obvious what he's trying to do.

The main mystery is why they chose this style for this show. Yoshinori Kanada was never a name associated with Tatsunoko's animation. In fact, he seemed to represent the diametric opposite of what Tatsunoko animation stood for. Happenstance seems to have led to this pairing, but I find it bizarre that for their 50th anniversary they go with this style, as much as I enjoy getting the opportunity to see 25 minutes of nice animation by talented animators. Well, I won't look the gift mecha horse in the mouth.

The Kanada school has gone through many phases, and if Arai's work is any indication, it is now in its decadent phase. It's all carefully polished stylization, where the master was all about dynamism at the expense of polish. The style is just what resulted; it wasn't the goal. Miyazaki's words from 30 years ago about the man and his imitators still ring true today. To be fair, this isn't a new trend. Yamashita Masahito and the 80s followers were the ones who first pushed Kanada's stylization to its decadent extreme, with geometrical smoke and insanely detailed shadows. Arai just updates the tradition. It's not unpleasant to watch. It's just predictable. It was fun back then because it was like they were sneaking it in.

The opening in particular felt like they were deliberately trying to imitate how Kanada might have done it. I know it sounds weird to say that, since the whole show seems Kanada inspired, but it's as if they weren't just doing Kanada-school animation but actually rendering an homage to the man himself with the opening. Maybe that's because it was storyboarded by Masahito Yamashita. It additionally featured a few other nice names: Yoshimichi Kameda, Yasuhiro Seo, Shingo Fujii, Morifumi Naka.