Initially daily but now sporadic blog about anime and world animation with a specific focus on the artists behind the work. Written by Ben Ettinger.
October 2009
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Archives for: October 2009, 26

Monday, October 26, 2009

12:54:21 pm , 366 words, 5237 views     Categories: Animation, Indie, Music Video, Animator

Charles Huettner short film yay

Cool beans. Charles Huettner, the guy who made a fan-made music video for Animal Collective's awesome song Water Curses that knocks the stuffing out of the boring official music video (and a great official one for DM Stith to another awesome song - he always animates awesome songs, which is better than making an awesome video to a song that sucks), says he's working on his first ever full-fledged Animated Short. Looking forward to that. He says he's got no schooling or much experience in 2D animation. And I friggin love his two music videos. How messed up is that? So I'm looking forward to it all the more. Some of the most refreshing animation I've seen has been from the unschooled. I think schooling can be good and bad. Charles talks about the process for making his great music videos on his blog too. Worth a read. And I love all the random crazy experimentation and stuff on his Vimeo account.

I watched the second episode of Trapeze and it was way better than the first one in my opinion, or at least better. They did a great job of focusing on the guy this time and digging deep into the root causes of his problem. Very funny and psychologically probing. Original script is really funny with its suggestive phrases, and kudos to translators of fansub for doing a good job conveying those in English. Though it's interesting how the whole basis of the story - his getting a permanent hard-on supposedly as some kind of post-traumatic reaction to his wife leaving him - seems undermined by the way the real-life doctor dude felt the need to interject to point out that such a thing in fact never has psychological roots. But whatever. At least they're honest! And you know what I'm warming to the use of real-life actors. They do it much more copiously here than in Kemonozume, so it feels like a different strategy, and I find that in this case it actually serves to make you relate to the character more. Who can relate to a drawing? I like that they're doing animation that kind of rejects itself at the same time.